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late review of the fuji x-pro1

I think that camera reviews should be written either within 3 months from initial purchase or after a much longer time, like 5 years maybe. After a few weeks of use, any average photographer would know by heart button locations, quickly change the camera settings, know what’s the highest ISO and the minimum usable shutter speeds, how the autofocus works and so on. And obviously shot a few hundreds photographs in different locations and situations.

After this initial period, he is either using the camera (and enjoying it) or decided to look elsewhere. And if he continues to use that camera, he starts to find loopholes, alternative ways to go around certain defects, until he no longer remembers what was the problem in the first place — and the longer way to accomplish a task becomes the norm.

So this is the moment to write something about the camera; when you’re still excited by the toy, but you also think about the many things that could be fixed. When you can honestly tell others what works, what doesn’t, and find an argument to why you see yourself clinging to the toy until the end of times.

And that is really my plan here, to put down in words1 what I think about this Fuji X-Pro1 that I bought second hand a few months ago; an “old” camera (I believe it came out almost 5 years ago), that according to the general consensus deserves nothing better than a place in memory lane.

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fuji-me-too

The long Norwegian September is a period of the year when I’m still very much in holiday-mode, with my skin still burning from the southern italian sunshine, and at the same time dreading the dark winter ahead. It is a period when my congenital hatred for office life and rituals reach the highest peak; it is a period where all these first-world problems are channeled into the research of a new camera to play with1.

My trusted (and hypothetical) readers know that I have a subdued (and long-standing) attraction for Leicas. Prices and other factors have so far kept me from going that crazy route; perhaps one of these factors is Fuji, a historical brand that, a few years ago, pulled out of the blue a series of cameras and tools that rival Leica in terms of pure appeal (and probably destroys it if we consider the price/performance ratio). This is why I bought a second-hand Fuji X-Pro1 with a 35mm f/2 lens (smaller and faster than the iconic 35/1.4). All for the outrageous price of six-hundred euros. Compare to the cost of a brand new X-Pro2 or XT-1 before commenting on the stupidity of buying a 4-years old camera.

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a little camera

I wanted to get a Leica this time. For real.

You know Leica: stupidly expensive cameras that are more likely to be kept in a closet or worn like a piece of jewellery than actually used (it wasn’t like that before, when actual journalists back in the fifties used it as a fast, robust little camera to be used in the field).

Anyway, even if now they seem to be more of a fashion statement, I have always liked the impression of solidity, their simplicity, and that funky way of setting the focus1. But I would have never considered one for real if I had not played with the original Monochrom; that really changed something, the simple pleasure of using and holding this rather large, deceiptively simple and “dense” camera changed somehow my perception of Leicas. I will be honest and declare it right now that none of this matters when it comes to photography; but I’m talking about something else here, I’m talking about very elementary pleasures that are tangentially related to the actual making of photographs; the same pleasure that I get from using bycicles or a Faber-Castell pencil for example.

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d600 first impressions

First things first: it’s not at all a D7000 with a large sensor inside!

If that’s the impression you have from reading the rants in the dpreview forums, well it’s wrong. And you should stop reading those forums (I know, I should too! It’s just that sometimes something really clever comes up like the Dot Tune ...

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fuji test day

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Last Sunday Fuji organized a test event in Milano, so I grabbed the opportunity to play with the XE-1 for a good fifteen minutes.

The event was a crowd-pleaser; a perfectly lit1, beautiful model striking sexy-annoyed poses for all those who were interested in this type of photography (a good number, from what I could see). Two street ...

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olympus c(r)ap lens

It might be quirky and it might be cool but I would argue this is something which should not appeal to anybody apart from facebook photographers.

I’m talking about the 15mm Olympus body c(r)ap lens.

The reasons are two:

  1. judging from the shots which you can see here the quality is abysmal. But you have to look ...
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thoughts on d7000

It’s almost a year now that I have the Nikon D7000. It’s time to write something up about this camera.

I arrived at the Nikon D7000 after a long apprenticeship. I started with a Yashica FX-3 and its 50mm f/1.8, then I moved to a Nikon F70 (we’re still in the ancient film era). After a few crappy compact digital cameras (and one less crappy than others, the Canon G5) I got my first DSLR (a Nikon D70s) which was excellent until it broke down.

Since I was always traveling and hiking and biking I wanted a smaller camera so I bought a Panasonic GF-1 that I still have (and will keep for many more years to come; it’s still much better than any compact camera and only marginally larger).

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panasonic GF1 late review

It’s been quite some time now that I have gone back to DSLRs, but the little Panasonic GF1 is still a constant presence in my backpack. In the meantime, Panasonic has churned out countless other iterations on the same micro four/thirds concept; but to me it has somehow watered down the concept and only the latest one (GX1) seems to be the true successor of the GF1.

I think it’s only appropriate to post now a few words on my GF1; I know, it is indeed a very late review1 but it could be of some interest to cheapskates that are looking for a nice and little second-hand camera (or maybe convince those of you affected by GAS2 that the GF1 is still “good enough”)

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it was unintentional

I swear it was unintentional. Second post straight after [this one where I blurbed about my next camera](({filename}2010-08-19-my-next-camera.md), and here it is, the GF-1 in my hands.

So how did it happen: I spent last weekend in Livigno for some mountain biking. On Sunday afternoon, half an hour before end of business, I went into a ...

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